The Missing Room

The Missing Room

Some houses can be a difficult sell. This one ought to have been easy enough, even though it hadn’t been lived in for years, maybe decades. The garden was an overgrown mess, but it was large, and the house was surprisingly sound, even its windows were unbroken. It was filled with dark old furniture, and many spiderwebs, but if he talked up its potential once renovated, Chris was sure he could sell it pretty quickly.

The trouble was that no-one was listening to him. They all seemed to be listening to something in the house instead, but it was something that he could not hear.

Elaine Cook was the first of only two viewers that day, and following company policy, he could not be alone in the house with a single female viewer.

‘It’s all open,’ he said, ‘except the attic. Don’t try to go up there because we aren’t sure if the floorboards are sound.’

‘You aren’t coming in?’

He explained company policy, safeguarding and so on.

‘Aren’t there any women working at your agency?’

‘I’m afraid they aren’t available today.’

He smiled and ushered her in, saying he would be outside in his car, parked next to hers, if she needed to ask anything. He did not tell her that none of the other agents wanted to come anywhere near the house, calling it disturbing to be around. Chris was not disturbed. It was a really nice house, he thought, or it would be, once its potential was realised.

He sat in his car, working on his laptop while he waited. An hour went by. The next viewers pulled up in their car. Chris went to the front door and called, ‘Ms Cook?’ There was no reply. He asked the waiting couple to be patient for a moment, and he went in calling her name over and over. Every room was empty, except for the furniture. Desperate, he started to look inside the cupboards and wardrobes. He looked in the out-of-bounds attic. Then he looked everywhere again.

The couple waiting were looking at the house in a very doubtful way, even before he explained the problem. They could go in, he said, while he continued to search, but they were not keen.

Once Chris had combed through the garden, he lost hope and called the office, then the police.

Ms Cook had vanished, and his other potential buyers disappeared, but in a more normal way, in their car.

The police made an even more thorough search, and they questioned poor Chris very closely, suspicion in their eyes.

Three days later, a neighbour saw an exhausted and shoeless woman walking down the driveway of the old house. Elaine Cook had returned.

She told the police a very odd story, and word got about that she had been subject to some sort of fugue episode. Intrigued, I asked her for an interview.

This is what she told me.

‘I loved the house at first sight, even though it was so run down. I wandered around, looking at all the old furniture, thinking if there was any I might want to keep. There wasn’t much, to be honest, and everything was covered in old spider webs, like grey sagging lace. It was going to be a lot of work, but I could just feel that I wanted to buy the place, if I could get it at the right price.

‘I took measurements and made notes, then I thought I would go outside and see if I could get a view of the roof. If that was sound, I would pay a surveyor to look at the place.

‘Coming back downstairs, I noticed a door I had missed before, I don’t know how. It was just along from the front lounge.

‘Opening the door, bright sunlight blinded me for a moment. When I could see, the room was full of people, as if a party was going on.

‘You can imagine that I was puzzled. No-one had mentioned to me that there was anyone else in the house. They were all looking at me. I apologised and turned to leave, but the door was shut and seemed to be jammed.

‘”Do come in,” someone said.

I turned around, and they were all smiling at me. It was really disconcerting, but I didn’t want to upset anyone.

‘”Do come in.”

‘The woman who spoke offered me a cup of tea. I felt unable to refuse, so I took the cup, and sat down when others moved along the sofa to make room for me. I remember noticing that the furniture was much nicer in this room, and not dusty at all. There was a smell of lavender and everyone was dressed in costume, like some sort of Victorian re-enactment society.

‘It gets a bit blurry after that. Maybe there was something in the tea.

‘Later, we were all in the garden and they kept asking, do you like the house, do you like the garden?

‘It was a beautiful garden, filled with flowers, not at all what I had expected from the front of the house.

‘I started to think that I should go and find the estate agent, but they pulled me this way and that, look at the apples, the pears. They showed me the house, and it wasn’t at all the way it had been, dark and dusty. It was bright and colourful, just the way it had been in my imagination.

‘After a long time, maybe a couple of hours, I was really tired, and they all said “goodbye, come again” and they were gone.

‘I’d lost my shoes, I don’t know where or when. The house was dark again. The front door was locked, so I had to get out through a window, and then I found that my car was gone.

‘They said I was missing for three days, but that doesn’t seem right. Nobody believes what happened to me, but I have decided not to care any more.’

‘Even after all that, you decided to buy the house.’

‘Yes. The renovations are coming along well, don’t you think?’

I looked around at the bright, airy sitting room

‘Is this the room you saw all the mysterious people in?’ I asked.

‘Oh, no,’ she said. ‘That room doesn’t exist.’

The Stain

The Stain

It is an old house, built in parts over hundreds of years. We bought it cheaply because no-one had lived in it for decades, and we couldn’t afford anything but a wreck to fix up.

After almost a year’s work on the place, we decided that it was time to tackle the big back bedroom. There were layers and layers of paper on the walls, I’d never seen so many. The top layer was floral paper from the 1970s, turquoise and green, absolutely hideous, and made worse by the large weird stain stretching over almost half the wall, like a faint scorch mark. Alys said it looked like an unfriendly bear, and that the whole room was giving her a headache.

We got that layer off easily. It peeled away and underneath was a 1950s paper with a geometrical design. It was like wallpaper archaeology. The stain was on this one, too, but darker. We were worried that there was a fungus problem with the wall underneath, though it seemed dry.

The next layer was a horrible brown paper, nearly the same colour as the stain, which was still there, but disguised in the nasty murk of the wallpaper. It looked to me as if someone had deliberately chosen that colour to hide the stain in plain sight. That paper had a kind of varnish over it and was not so easy to get off, so we called it a day.

In the morning there was an odd smell in the house, a faint burnt odour, hard to pin down the source. We opened the windows and carried on.

After the brown paper, which took us a couple of hours to get off, the rest of the layers came away easily, and the last one was a beautiful hand painted Chinese-style paper, with a blue ground, covered with trees, birds and butterflies. We think it is 18th century. It, too was spoiled on that one wall by the horrible stain, now really dark and unpleasant. We decided to keep that paper everywhere except the stained wall, and to go for an antique look in the room.

Nervous about the damage we would uncover on that wall, we took a break.

The burning smell had got a lot stronger, even though all the windows were open. Alys thought it might be the wiring, and she called our electrician. He came over right away, and searched the whole house, looking for hot spots with an infra-red detector, testing the wiring, everything he could think of, but he found nothing.

The next day we had to carry on with the redecorating while we had the time, so we just opened the windows and ignored the smell.

Starting to peel off the last layer of paper was strange. We wanted to see what was underneath, but were also really nervous about what we might find.

The paper started to crumble as we pulled it down, and we soon saw that what was underneath was not a stain, but a painting.

Well, it is the most horrible thing. A monstrous dark creature, somewhat like a bear, but not any real animal that I know of. It is chewing and trampling on naked people, a deranged look in its red eyes, blood spraying everywhere, and surrounded by strange symbols. I wanted to paint over it, but Alys said it was probably very old, so we got the people from the Shuckleigh Museum to look at it. They were very excited. They couldn’t date it, but did say they had never seen anything like it, that it was unique.

Since we uncovered it, neither of us have been able to sleep – if we do, we dream of appalling things that I do not want to talk about. And the screaming, can’t you hear it? All the time.

Alys is staying with her parents. I’m living in the kitchen for now, because it’s the room furthest from the painting, but the screaming and the smell of burning still keeps me awake.

There is a constant stream of weird people wanting to see the thing, but I think they’re taking nightmares away with them.

The museum people are upstairs now. We are donating it to them, and they think we are being wonderfully generous. They are taking it down in one piece, but it’s such a long process.

Alys says it is the best thing to do, but I feel guilty about passing this damned painting on to someone else. It isn’t just paint and plaster, but a dreadful intention, and I fear that some of the blood may be real. I only hope it will be kept in a locked room.