Invisible

Invisible

‘And this is the haunted staircase,’ she said, unlocking the door and opening it for the guests to peer through, down the worn oak treads into the gloom below, open-mouthed like baby birds, waiting to be fed the stories they were hungry for.

‘As you may have heard, the original owner of the Old Hall was Sir Roger de Vance, a notoriously violent and cruel man. He is known to have beaten one of his tenants almost to death because the man couldn’t pay his rent.

‘One night, Sir Roger went too far. A young woman had taken his fancy, but was engaged to Sir Roger’s friend James Morley. That did not stop Sir Roger from making unwanted advances to the lady, which might have ended badly for her, but for Morley arriving on the scene and driving Sir Roger off.

‘A few days later Sir Roger invited Morley to the hall to extend his deepest apologies, he said. Morley was never seen again.

‘Sir Roger’s story was that after a long and heartfelt talk Morley had accepted his apologies and left the Hall at a few minutes before midnight. None of the servants at the Hall could be persuaded to say anything that contradicted this story, but rumours flew about the village, and beyond. Nothing was ever said to Sir Roger’s face, but he must have been aware of the local opinion. He tried to visit Morley’s fiancée, but she would not receive him.

‘He lasted six months under the assault of these rumours of murder, after which he left for London, and never came back again. He was killed in a duel on Hampstead Heath two years later, and was generally unmourned.

‘Sir Roger returned to the Hall after his death, though. It is said that he can be heard almost nightly, dragging the body of James Morley down these stairs, thump, thump, thump, to be disposed of we know not where.’

‘Has anyone ever seen him?’ asked one of the guests.

‘No, we only hear him going up and down these stairs, dragging something heavy.’

‘Will we be able to hear him?’

‘If your rooms are close by, you may well. It happens about one o’clock in the morning.’

They looked down the narrow servant’s staircase again with a delicious, shivery anticipation. The ghost of a real aristocratic murderer still bound to drag the evidence of his crime downstairs night after night.

The Old Hall was a hotel and wedding venue now. The manager enjoyed giving the little ghost tour to any guests who wanted it, and many of them did. She shooed them back off the staircase and locked the door behind her.

‘Why do you keep it locked? To keep the ghost from getting out?’

Small laughs.

‘No, sir. Servant’s staircases were built into small awkward spaces, and this one is especially cramped. The steps are narrow and very unevenly spaced. We don’t use that particular staircase very much at all because it is so hazardous.’

At about one o’clock that night the guests in the Blue Room were woken by a muffled thump, thump, thump. Being avid ghost hunters they tiptoed out to the staircase door and listened to the ghost of Sir Roger go up the stairs and come back down again, dragging something heavy from step to step, and sometimes a breathy groan.

It was a great story to tell, even though one of them did wonder if it was a member of hotel staff behind that door, pretending for the amusement of the guests. She never did say anything about her doubts, though.

He was shouting down the stairs, angry as usual.

‘Coming, coming,’ Alice murmured. No-one would hear her response, but that was fine. She did not want Sir Roger to know that she could speak at all.

Cloths stuffed into her apron, a scrubbing brush under her arm and a big bucket of water to carry made those stairs difficult to climb at any speed, but she went as fast as she could. Every now and then her arms became too tired and she put the bucket down for a moment, thump, for a fleeting rest.

Scrub, scrub, mop, mop, rinse and squeeze, not thinking at all about what she was cleaning up, nor what was in that dreadful bundle the stable boys were carrying away. Just work, show no signs of thinking, knowing or being human. A machine for cleaning. Do the job and get out, unnoticed, unharmed.

Back down the stairs, dragging the pail of bloody water and the wet, reddened cloths, thump, thump, thump. Forever.

26 Willow Terrace

26 Willow Terrace

1923

The scissors were not in Flora’s workbox, though she remembered putting them in there just a minute ago, next to the new packet of black ribbon. She emptied the whole box out, but no scissors. They were the pretty stork-shaped ones that Frank gave her for her birthday, just before his last leave ended.

Frank, her brother, looked down at her from the top of the upright piano, frozen forever at the age of eighteen, in uniform, looking proud and cheerful. Two years later, when he gave her the scissors, he had looked much older, though he tried, still, to be cheerful.

Ma and Pa still missed him, as did Flora. She did not feel that her continued existence was of much comfort to them, in spite of all her efforts, and that made the thought that the scissors were lost even more distressing. She piled everything back into the workbox any old how and started to cry. She looked under the sofa, behind all the cushions, in the creases and folds of the dress she was mending, failing to find them.

Flora looked up at Frank’s picture to say she was sorry, and screamed. They were there, standing upright, leaning against the silver photo frame.

Ma came in and had to be told the story, which made her go all a-flutter. When Pa came home he heard the details and, though gruff, was not unmoved. He agreed to the idea of a séance without a moment’s argument.

So, two days later in the evening, Madame Sylvie, the local medium, the family and a few select friends were sitting around a small table in the dimly-lit parlour, calling for Frank to come to them.

The scissors still rested against the photo. Flora had not been permitted to retrieve them.

‘I sense a presence,’ said Madame Sylvie.

Ma whimpered a little, her hand trembling in Flora’s.

‘Is that you, Frank?’ asked Madame Sylvie.

Flora hardly knew whether she wanted an answer or not.

‘Your Mother and Father want to know that you are happy.’

The strings of the piano began to vibrate most unmusically. It probably was Frank, thought Flora. He always hated piano lessons.

The scissors took up the vibration. No-one moved or said anything, but Ma made a few squeaking noises. After a short build-up the scissors leapt into the air and flew across the room, missing Madame Sylvie’s nose only because she leaned backwards in time, and embedded themselves an inch deep in the dark varnished door.

There was a great deal of noisy confusion, and Madame Sylvie declined to continue with the séance or even to take a brandy in another room.

‘Frank always did have a bit of a temper,’ said Ma.

Pa pulled the scissors out of the door and locked them in his bureau. The next day they were back in the parlour. No matter how many times he locked them up they returned to the parlour, until he took them out of the house and ‘disposed’ of them.

Flora bought herself a new pair of scissors and stopped missing Frank so much. Ma would slip into the parlour to talk to him when she thought no-one was watching. Pa said nothing.

Shortly afterwards Flora moved to London and got a job as a telephone operator. Life began again. For her, at least.

1973

It was a Friday afternoon. The neighbours were all at work or out, but Phil had the day off. He slipped the album out of its sleeve, checked it for dust and then put it onto the turntable. He could crank up the volume and listen to Dark Side of the Moon all the way through. Grinning with pleasure, he lowered the needle into the groove and scooted back across the room to settle on the sofa in the perfect position for the stereo sound, ready to let the experience wash over him. Bliss.

About a minute in something went wrong. There was a screech through the speakers as the arm flew across the record. Phil jumped up, swearing, and found a deep gouge cut across the grooves of the album and the needle broken in two, as if someone had pressed down on the arm and pushed it to cause maximum damage.

He could not work out how it had happened. There would be hell to pay when his dad got home. He had to run out and buy a new needle and get it fitted. The album he could not afford to replace yet.

While he was changing the needle a little bit of gravel hit him on the back of his head. Then another, and another. He got the job done in spite of that, and then a whole handful of gravel pelted him. Phil refused to go back into that room for days.

His Mum listened to some Dean Martin, his Dad played some Vaughn Williams. Nothing out of the ordinary happened. As soon as Phil ventured in with an album under his arm the gravel pelting started up again. He didn’t even try using the turntable.

When him Mum trod on some of the gravel, he had to tell them what had been going on. (He did not mention the broken needle.)

‘That’s a bloody load of nonsense,’ his Dad said.

Changed his tune when Phil showed them what happened when he tried to play a record. Even Dad got hit, and ran about the room yelling and threatening the invisible thrower.

‘It’s a poltergeist,’ said Mum. ‘We should call the Vicar.’

‘Or the local paper,’ said Phil.

‘You’re not calling anyone. This is nonsense. The pair of you have been watching too many films.’

A piece of gravel pinged across the room and caught Phil right on the ear.

A couple of months later he rented a bedsit in town and got his own stereo. His neighbours liked his taste in music no more than the poltergeist had, but at least they did not throw stones.

2023

‘Where have you put my wallet?’ he asked, not bothering to conceal his utter exasperation.

‘I haven’t put it anywhere,’ she replied with an equal, countering contempt. More of this, she thought.

‘I left it here,’ he said, slamming his hand onto the empty spot on the chest of drawers.

‘It’s in the dining room,’ she said, ‘on the table.’

More of this, he thought.

‘Why did you put it there?’

‘I didn’t. Why would I move your wallet?’

‘That’s what I’d like to know.’

‘I did not move your wallet. You must have left it there and forgotten.’

‘I did not. I distinctly remember putting it here, where I always put it.’

‘You probably just think you did because that’s what you always do.’

‘No I… I put it here and thought I should get the new bank card and change it for the old one. That’s why,’ he said, ‘ I am holding my new bank card and wondering where the hell my wallet is.’

She shrugged.

‘Well, something slipped your mind, because it’s downstairs on the dining room table. I saw it just now.’

They went down to the dining room, but the table was bare.

‘I don’t understand,’ she said. ‘It was here. You must have moved it.’

‘I haven’t even seen it this morning.’

They searched the dining room and found three biros and seventy-three pence in small change, but no wallet.

Back upstairs he pointed accusingly at the chest of drawers. She pointed to the floor.

‘There it is.’

There it was.

‘You said it was downstairs.’

‘It was. You must have picked it up.’

‘Or you did.’

‘I didn’t touch it.’

He bent down and grabbed the wallet before it could disappear again.

They turned away, each wondering why the other was trying to gaslight them.

At that moment, the car keys vanished from the bowl in the kitchen where they were always kept, to be found later in the pocket of a jacket he had not worn since it came back from the dry cleaners last autumn.

River Stories

River Stories

The Well

‘You shall lift up the stone and see all the stars of heaven beneath.’

That was all the voice said, whispering into her left ear. She almost felt breath on her skin as it spoke, but there was no-one there.

There was nobody she could tell about the voice. They would think she was back in trouble again, perhaps even schizophrenic this time, and Maddy did not feel schizophrenic. Not that she knew how that felt — but she felt no different than she ever had, except that sometimes an invisible person said something incomprehensible to her.

One day, she was in the kitchen cooking dinner, it came again.

‘You shall lift the stone and see all the stars of heaven beneath.’

‘You’ve got the wrong person,’ she yelled. ‘I don’t know what you’re talking about! Go away!’

‘You shall lift the stone and see all the stars of heaven beneath.’

Maddy threw a tomato in the direction she imagined the voice coming from. It splattered against the far wall, and then she had to clean it up before Ben saw the mess and asked what had been going on. The onions burned and she had to start all over again.

The voice did not bother her for a while and she thought maybe she had chased it away. But no.

Any time there was a moments’ silence and she was alone, the whisper came, so she started to wear her earbuds all the time and made sure that music was playing through them whenever she was by herself. There was never silence and she could not hear whispers above the constant noise in her ears.

At night, though, it found a way in through her dreams.

‘There,’ it said, ‘there is the stone.’

She was in a dark place, and all she could see was a circular stone, about a shoulder’s breadth wide, lying on the cold ground. The words ‘Well Beneath’ were engraved on it, lichen growing into the grooves of the shallow-cut letters.

‘You shall lift the stone,’ the voice told her.

So she did.

It was hard to get her fingers underneath the edge of the flat stone, but it was thin and not as heavy as she expected. She lifted it up and rolled it away. Underneath was a circular black hole. Looking down, she saw dark water and in it a great crowding mass of stars.

She leaned towards the water, and felt herself falling in.

The fall woke her suddenly and she sat up in bed, gasping, which woke Ben, too.

‘Nightmare,’ she said. Then she told him about the dream. It was a relief to tell someone, but she did not mention that she’d heard the voice before.

‘Sounds weird,’ he said, then he closed his eyes and a minute later was snoring gently.

In the morning he only vaguely remembered the incident and Maddy did not know whether to be glad about that or not.

Every night from then on she would be woken by the dream. Ben was very worried. She persuaded her doctor to give her a short course of sleeping tablets, but the dream managed to punch through her drugged sleep.

Ben made her go to see a Jungian therapist, who, after a few sessions trying to extract meaning from her unconscious, told her that she was ‘resistant’. She resisted by not going to see him again.

Ben’s next solution was a holiday. An expensive week in a country hotel with no phones, no work, nothing she did not want to do. It did sound good. The hotel was a converted manor house just outside a town called Shuckleigh, with the River Lost flowing through the extensive grounds. Here, the dream did not disturb her sleep at all, and during the day she heard no voices.

‘Stress,’ said Ben. ‘That’s all it was.’

And she believed him.

After a couple of days they went out of the hotel to explore the countryside. Further along the river was an old ruined abbey — not much more than a few broken walls, but quite picturesque. Ben wanted to take some arty photos, so Maddy wandered away and left him to it.

Between the last wall and the river she saw a round flat stone on the ground, and as she approached it she started to feel both fear and a magnetic attraction. She stopped and listened, but no-one spoke to her.

Trembling inside, she walked up to the stone. Incised into it were the words ‘Well Beneath’ with lichen growing into the grooves of the shallow-cut letters.

‘I could walk away,’ she murmured, but she knew that she could not.

Scraping with her fingernails, she cleared part of the edge of the stone and found that it was thinner than might have been expected, but it still took a lot of effort to lift and roll it away.

In the circular hole beneath there was water less than an arm’s length away from the top. As she looked down Maddy saw that it was filled with a multitude of stars. She reached down into the water, and the water reached up to her. A darkly glittering hand took hers and pulled her down into the stars. They crowded around, stinging her skin, peeling the life away from her, making her into one of their own, pressing her down into one bright, shining dot of light. She began to dance to the roar of the waters.

The water rushes by, but the river remains.

The Story of a Stone.

Ever since the River Lost pried it from the earth, the stone had submitted to the waters, wearing smooth in the flow of time.

Centuries passed. One hot summer the river receded far enough to leave the stone dry on the bank with many others. A child found it.

The stone was divided in two by a band of white quartz, harder than the greenish rock on either side of it. After so much wear, the quartz now stood out in a ridge around the stone’s middle. Fascinating to the child, who took it home.

The child’s mother found the stone in its pocket and, not taking the time to appreciate its smoothness and the ridge of white crystal dividing it, only seeing a dirty thing, threw it into the garden.

Decades passed. A trowel pulled the stone into the light once more. The woman wielding the trowel was gaining a few minutes’ peace by planting out spring bedding. She knew that the stone did not belong in the garden, but she liked the look and feel of it, so she pushed it into her pocket. She made her own clothes, and was always sure to have a hidden pocket in her skirts. If there was any pleasure in her life, it had to be hidden, or it would be spoiled.

The weight of the stone was comforting, a thing out of place, like her. She kept it always in her pocket, holding it secretly for comfort sometimes.

A day came when no comfort was to be found in anything anymore, and she ran away from that house, unable to face the depth of her rage and despair.

To the river was her only thought, as if the Lost was calling to her. The sound of rushing water filled her mind, pushing out all the other dreadful things.

She ran to the bridge, climbed over the edge and leapt free into the river. The cold waters embraced her at once, pulling her down by her skirts. The river reached into her pocket and plucked out the stone, then carried her away.

The stone tumbled to the riverbed and settled comfortably back into its place, surrendering to its slow dispersal into the waters of the world.

For the water rushes by, but the river remains.

Unknown

Unknown

It is dark here, with only a weak glimmer of light in the distance, reflecting off water. Where am I? Why is it so cold?

I begin to walk towards the light, the sound of my footsteps echoing off narrow walls. Reaching out, I touch damp stone either side of me. Some sort of tunnel, but where, and how did I get here? More important — who am I?

A human, certainly, with two arms, two legs, shoes. But — why should I think I might be anything else? There are too many questions here, and no answers.

After some minutes of walking I find the source of the light. It is a torch lying on the floor of the tunnel. Is it mine? Did I drop it? But who even owns a torch any more when you can just use your phone?

Phone. I pat myself down, but find no phone. It must be in my bag. I had a bag, though I cannot remember what it looked like or where I might have left it, but just remembering that such a thing exists is something. A start.

Picking up the torch, I don’t recognise it. If the torch is not mine, then someone else must be down here. I feel a surge of hope and think of calling out, but a sudden fear of what might be in the dark stops me. I also stop trying to explain my situation. I don’t need explanations. I need a way out.

Shining the torch one way and then the other, all I can see are the damp walls of a dark tunnel. Should I continue to walk the way I was facing, or go back in the direction I, perhaps, came from before the moment I woke up here? I do not choose to think about what happened before that moment.

The tunnel seems to be going slightly uphill in the direction I was walking, so I carry on in that direction, not wanting to descend further underground.

To conserve batteries I turn off the torch, flicking it on now and then only to find more tunnel ahead. I have the impression that the tunnel is curved, and I hope it is not circular.

Something is coming. It squeaks as I flick on the torch. A rat. It runs right by me, running scared, but not of me.

Torch off, I listen. There is a faint gritty sliding noise, growing louder, growing closer. I want to run, like the rat, but there is nowhere to run to, no safe haven. Instead, I press myself against the tunnel wall, making myself as small and silent as I can be.

Closer, closer, bit by bit it slides. Then something hot and bulky is right there. An exhalation of sewer-smelling breath makes me gag, but fear damps my reflexes. I am as rigid as the cold wall against my back. The thing pauses as if it knows I am there and I close my eyes, as dark behind my eyelids as it is with my eyes open, but still I hang onto the comfort of an irrational hope — that if I can’t see it, it won’t see me.

Then I realise that if it lives down here in the dark, it does not need to see me. There are other senses. I open my eyes and hold my breath, ready to bolt, but it either fails to detect me or finds me uninteresting, and starts to move again, sliding away along the tunnel.

When the sound of it fades to silence I unfreeze and walk as fast as I can in the other direction. I do not dare to run in the dark, which proves to be wise.

Afraid to turn on the torch, but afraid also of what I might bump into, I continue to flick it on and off every now and then. In one flash, I see something that stops me short.

It looked like a person, but ghostly white. There is no sound. No breathing, no movement. My heart beats so hard that my whole body shakes. I do the only thing I can, and turn the torch back on.

It is a man, standing quite still. As I approach I see that he is covered in pale webs.

‘Hello?’ I whisper.

His eyes are open but he is frozen and I do not think that he can see me. He does not seem to be conscious. I hope he isn’t.

What should I do?

Far away, but not far enough, I hear the thing sliding back towards us. I try to pull on the man’s arm, to shake him awake, but I cannot move him. He might as well be a statue, and now there are webs all over my hands. I try to rub them off, and then I have to run, or I will end up a web-covered statue lost down here forever.

This time I do run, and I keep the torch on. Even so, I almost miss it. There’s a door. I go through it without thinking and close it behind me, then run up stone steps to another door, and then I am through it and standing in a mahogany-panelled hallway. I can see a front door at the end of the hall and I walk towards it, almost more confused by this house than by the dark tunnel.

‘There you are,’ someone says. ‘We really prefer our clients not to wander the house. It can be hazardous.’

The speaker is a dark-haired androgynous person in dark clothing. Their eyes are quite mesmerising, and I am afraid again, but a whisper of memory comes back to me.

‘Someone called me,’ I say.

‘Well, never mind. Madame Nina will see you now,’ they say. ‘She apologises for the delay.’

‘I’m sorry, I can’t — I have to go,’ I say as I move towards the door into the outside world.

They shrug, looking at the torch in my hand.

‘Very well, but if you choose to come again, you will remember not to stray, even if called by name.’

They pick up a bag from the hall table and hand it to me. It’s mine. I know it. I am so relieved that I clutch it to my chest, stumbling through the door and out into the street.

With my first breath of fresh air I inhale the knowledge of who I am, and simultaneously realise that I have blown an appointment it took me weeks to get.

I don’t care. The way out of my problems that I was seeking seems both cheap and dangerous now. I will just have to stand up to it all and take the consequences. Nothing will get me back into that house again. I am haunted by the web-covered face of the man in the tunnel and the sound of the unknown sliding towards us.

Hide and Seek

Hide and Seek

A laugh like birdsong among the trees.

‘April, is that you?’

He thinks he sees her, a bright flutter of flowery fabric out of the corner of his eye, vanishing into the undergrowth. Further along the path, the scuff of a shoe in the leaf litter.

Not a human path, but a narrow fox’s path in the woods. The breeze twisting up a few dry leaves. Is that her again — a fleeting impression of golden hair — or only sunlight on wet foliage?

April lost in the woods, or is it himself lost in the woods without her, following a mirage.

Giving up, he sits down on the rotting trunk of a fallen tree. A laugh like birdsong mocks him.

Midnight under a full moon, the dust in the gutters, the crisp packets and discarded receipts flying up into the air on a hidden breeze, swirling together to give the impression of a person — a hand — two feet skimming along the pavement — the swish of long hair. April again. He does not run after her, knowing he will never catch up.

Midday under a bright sun in the High Street. He looks into a shop window and sees her reflected in the glass, standing behind him, peeping out from behind his back. When he turns to look, she is no longer there. A thin column of grit spirals into the hot air.

April, always there, never there.

He’s sleeping and she ruffles his hair, waking him. He’s cooking and she knocks all the wooden spoons into the sink, turns the cold tap on full and drenches him. He knows it’s her, making trouble as she always did.

He waits for her to pinch him, like she used to, hard and with a twist, a little torture for her other self. But she does not do that.

She has lain at St. Jude’s Hospice for almost a decade, inert but still breathing. In and out, day after day, uselessly breathing, too alive to die, not alive enough to live.

‘I didn’t let go,’ he says again. ‘You were too heavy, I was too weak. My fingers gave way.’

No-one had ever blamed him for what happened. She danced on that wall of her own accord. He tried to hold on to her when she slipped, and the fall was not so far, but she landed badly and her skull cracked.

He looks at the shrivelled woman lying on the bed and knows she is not the same person as the girl who is behind him now, making the air shiver with her presence. Not his twin sister who had been with him his whole life. He knows what she wants.

This time he uncurls his fingers deliberately and lets her go.

She exhales, a long breeze. He feels a pinch on his arm, and a twist. He waits for the automatic in-breath, but it does not come. Everything is quiet.

Alone now for the first time. He cries.

Things Move

Things Move

We stared up at the spoon balanced on the top edge of the mirror frame.

‘What’s it doing up there?’said Freddy

‘It’s being a spoon,’ I said, ‘but in the wrong place. The question is, Freddy, why did you put it up there?’

‘Me? I didn’t put it up there. You must have.’

‘No, not me. Why would I do that?’

‘I don’t know. I only know that I didn’t put it there.’

‘If you didn’t and I didn’t, who did?’

‘The cat?’

We both looked at the cat, asleep on the sofa, paws in the air. We agreed that he was an unlikely suspect. Mr. Socks had never shown any interest in spoons, unless they were being used to serve him food.

I pulled a chair over in front of the mirror, climbed up and got the spoon down. I thought that would be the end of it, but then there was this other problem.

‘It isn’t even one of our spoons.’

Freddy took it from me and made a face.

‘Torquay,’ he said.

I took it back. It was a cheap souvenir spoon, with a shield at the top of the handle which had a sailing ship on a white enamel background and a banner underneath in blue enamel, reading ‘Torquay.’

‘I’ve never been there,’ I said.

‘It’s nice,’ he said. ‘The English Riviera.’

‘How did it get here?’

I looked up thinking that there might be a crack in the ceiling it had fallen through, but there was no such thing. I shrugged my shoulders.

‘I’ll put it in the bag with the things for the charity shop. Unless you want to keep it.’

Freddy shook his head, and that was all we said on the matter. Freddy took the bag to the charity shop that afternoon and we forgot our little mystery.

The next day the spoon turned up in the cutlery drawer — a more reasonable place to find a spoon, but still.

‘I thought this went to the charity shop,’ I said. ‘Why did you put it in here?’

Freddy dropped the toast he was eating.

‘I didn’t,’ he said.

He came over and took it from me.
‘Are you playing tricks?’ he said.

‘I am not. Why would I do that? It’s a bloody silly trick. What’s the point of it?’

‘So who put it here?’

‘There’s you, me and the cat. It’s not me, and Mr Socks doesn’t have the energy for tricks.’

‘It isn’t me.’

‘Then who is coming into our house with strange spoons, and why?’

Neither of us had an answer to that one.

On my way to work I stopped on the bridge over the River Lost and dropped the spoon into the water, followed by a couple of pennies because I was brought up in a superstitious household, and knew that if you took a liberty with a river you had to make a payment to it, one way or another.

I should have paid more.

The river did not keep the spoon.

In the morning I was dressing when I head Freddy shriek. I ran downstairs without my trousers on and found him standing in the kitchen staring at the breakfast table. All around on the floor lay the bits and pieces we had left there the night before — some of my papers, a mug, a tulip and the vase it was sitting in, the last survivor of a bunch from a few days ago. The only thing on the table was that spoon.

Its shallow bowl was filled with water, and a scrap of water weed clung to the handle.

We stared at it for a while, then rationality took hold of Freddy at last.

‘It’s only a spoon, what are we afraid of? Just a cheap, ugly teaspoon. Fear of spoons. There’s probably a word for it.

‘Koutaliaphobia,’ I said. I had been giving all of this far too much thought.

‘You’re right,’ I said. ‘What are we afraid of? A bloody stupid spoon.’

Freddy picked it up, took it outside and dropped it into the dustbin. We had a good laugh at ourselves, and I went back upstairs to put on my trousers. Freddy found me there a minute later, staring at the bed.

The spoon. On Freddy’s pillow.

He swore more in those few seconds than I have ever heard him swear before. Grabbing the spoon, he strode to the window, opened it and hurled the thing into the garden as hard as he could.

‘And stay out!’ he yelled, slamming the window shut.

He turned back into the room and took one step away, then the window shattered behind him. when we finished screaming we saw the spoon embedded an inch deep in the ceiling above Freddy’s head.

**

The glazier was just finishing the new windowpane when I brought him a mug of tea (strong, two sugars). He pointed upwards.

‘Why is there a spoon in the ceiling?’ he asked.

‘Good question.’

‘Shall I pull it out for you?’

‘No,’ I said. ‘It’s best to leave it alone.”

‘Yes,’ he said. ‘It’s in pretty far. I suppose it might bring the ceiling down with it.’

‘Yes indeed, it might.’

An Inheritance

An Inheritance

‘I’m here to chop off your head’ the bloody butcher said.

Elaine Edgeworthy did not know who the middle-aged man she allowed into her office, but she was mildly intrigued. A few minutes ago he had arrived at he entrance to the museum, which was the gift shop, of course, and said he had a donation for the museum. It was a very irregular way to donate, but his surname got him through to her office.

‘Mr Bird,’ she said, ‘do come in.’

He did so with difficulty, as he was carrying a large cardboard box, which he deposited on her desk, scattering paperwork.

‘Ms Edgeworthy,’ he said, ‘good of you to see me.’

‘Forgive me for asking,’ she said, ‘but are you related to Anthony Bird?’

‘My grandfather.’

The smile that came with his answer was not filled with pride, but was ambiguous and with a hint of pain as it faded, probably due to the family history, thought Elaine, but she regarded the box with hungry curiosity. Whatever was in there, if it was in any way connected with Anthony Bird, Shuckleigh’s only respectable famous person, a painter of international repute, then it would be of real importance.

‘You won’t survive the night,’ said the dame by candlelight.

‘I beg your pardon?’

‘These are some…toys my grandfather made for my father. I want the museum to have them, but only on the condition that they stay here, and aren’t lent out anywhere.’

Though she was quivering with excitement, Elaine tried to retain an appearance of calm and grace.

‘May I?’ she said, indicating the box.

‘Of course.’

Elaine pulled away the tape holding the top flaps of the box together. Mr Bird, she noticed, took a step backwards, as if he was afraid that something might jump out at him.

‘Oh,’ she said, surprised at the jumble of things in the box. They were glove puppets with papier mache heads and fabric bodies. She reached in and took out the topmost one.

‘Be careful,’ said Mr Bird. ‘That blade is quite sharp.’

The puppet had a lumpy red face. He wore a striped apron spattered with red paint and, stitched to one hand, a cleaver cut from a piece of metal and liberally painted red along its blade.

‘Um,’ said Elaine.

‘That’s the butcher,’ said Mr Bird. ‘My grandfather didn’t believe in childish children’s toys — but you know, when you’re a boy, you do like horrors.’

Elaine laid the butcher on her desk, not sure she liked the look on his face, and finding it hard to reconcile this somewhat barbaric object with the cool, tightly controlled elegance of Anthony Bird’s abstract paintings. Something else was at work here.

The next puppet was an evil-faced woman. In her hand was a candlestick, complete with a wax candle that had a flame made from a bit of yellow foil.

Bird had taken another step back.

‘Are you sure you want to part with these?’ asked Elaine. They were a real win for the museum, but she felt uneasy. ‘They must have been an important part of your childhood, and your father’s.’

‘No, no. They’ve been in the attic for years, but then they started talking to me, and I just don’t want them around any more.’

‘Talking?’

He shook his head and laughed, a jagged sound.

‘You must think — no — memories and all that, I suppose. There was a rhyme went with them. I could hear it in my head. Memories and all that.’

He had taken another step backwards as he spoke, and avoided looking at the puppets laid on Elaine’s desk. She peered into the box and reached for the next.

‘Well, I’ll be going,’ he said. ‘Must rush, and all that.’

Elaine parted her lips to offer him coffee so that they could talk about the donation and any ideas he might have for display, but he was out of the door before she could form a single syllable.

‘Your nightmare’s come to play,’ said the devil of the day.

Bird could still hear them, even as he walked away.

Elaine reached into the box for the next puppet, and almost dropped it in surprise. The face of an angry red devil grinned at her, his face twisted and misshapen. A red heart was stitched to one of his hands — not a sweet symbol of love, but a small anatomically correct bodily organ, painted blood still dripping from its arteries.

Bird said that boys like horrors, but Elaine wondered what sort of father would supply horrors like these to his son.

There was a sheet of paper in the box, yellow with age. Elaine picked it out between finger and thumb and turned it over. On it was written the rhyme that Mr Bird had mentioned. Whose handwriting, Elaine wondered. If it was Anthony Bird’s then this was quite a valuable piece of paper. Research would have to be done. In fact, there might be a book in this — a reappraisal of the artist in the light of these disturbing pieces. Both Anthony Bird and his son had committed suicide at the age of fifty-one. A disturbing light shone on these ‘toys’.

She thought she heard a noise from within the box, a thin whimper. Imagination, surely. Inside was one remaining puppet, lying face down.

Bird drove to the east, away from the town and his obligations, with nothing in his car that was not his and his alone. He could still hear them but the further away he drove, the fainter their voices became. The family house and all its contents were sold to some crazy people who wanted to make a museum of it, the home of the great artist. The money, he wouldn’t keep it, going to a suitable charity. He wanted nothing to link him back to that place.

Elaine noticed a tremour in her hand as she reached for the last puppet. It had the face of a boy, not misshapen like the others, but almost a portrait. He was wide-eyed, his mouth open in a silent scream, and in the middle of his chest there was a painted gaping wound as if his heart had been torn out.

The demon puppet seemed to laugh and wave its bloody trophy, and then the boy really did scream and Elaine heard the final piece of the rhyme.

‘The boy will not grow old, his heart is dead and cold
And once it stops a-beating, will make for finest eating.’

The puppet twisted in her hand. She felt a black tunnel closing in on her and for the first time in her life she almost fainted. The piece of paper crumbled into a hundred pieces.

‘No, no, no,’ she murmured, dropping the puppet and scrabbling to gather the bits of paper together, to salvage a valuable document.

Crossing the border into the next county, Bird felt peace fall upon him, and knew he was free to enjoy life beyond his next birthday.

Spot

Spot

There was something slithering around my bedroom in the dark, a fragment of nothingness whispering across the walls. I sat up. There it was again — darker darkness on the periphery of my vision, sliding away. I clicked on the bedside light and it was gone.

For a couple of weeks now I had been half seeing this thing. A black spider running across a surface near my hand, a mouse shadow running into a corner, something falling from the ceiling — and always nothing there when I turned to look.

There was something wrong with my vision.

The optician said everything was fine.

So. There was something wrong with my mind.

I could have sought help, but it seemed a trivial matter, the illusion of small shadows. I chose to try to ignore it.

Sometimes I thought it might have been a real spider — one that ran very fast and hid when I looked for it. At other times perhaps it was just a misinterpretation of ordinary shadows moving as I turned my head. After all, the world as we see it only exists inside our minds. What is actually out there — well, I don’t want to think about that.

I began to manage the problem of the moving shadows quite well. When I noticed them, and you can’t not notice movement in the corner of your vision, I trained myself not to look. I hoped to train myself not to see it at all, but it wanted to be noticed, and hated to be ignored. The little black scrap started to scurry across the desk in front of me too fast for me to see what it really was, or to run over my feet and into the corner of the room.

I am not a nervous person, but this was turning me into one. I began to think I saw it even when it was not there. Any little unexpected movement would make me jump. It was like having mice, except that it didn’t eat my biscuits. The only thing for it was to get the exterminator in.

Charlie the exorcist moved around my flat as if looking for the spoor of my infestation.

‘I’m not picking anything up,’ he said. ‘That doesn’t always mean there’s nothing here, though. I’ll give the whole place a good clean out.’

He spent four hours chanting, ringing bells, thrusting smoking bundles of ritual herbs into every corner. The place seemed different when he left, calmer, emptier. I relaxed.

But he had missed a spot.

The shadow was back again that night, flitting past my feet while I was trying to watch TV. The more I ignored it the more often it appeared. This thing meant for me to pay attention to it, which suggested it had thoughts and feelings — a suggestion that I placed firmly out of sight at the back of my mind.

I refused to look at the racing black spot. Then it stopped on the floor in front of my feet. I kept my eyes on the TV screen, but my whole consciousness was focussed on the tiny patch of darkness on the carpet. Even so, when it moved it took me by surprise, darting forward onto the toe of my slipper and up my leg.

I screamed and jumped up, dusting away at my trousers to get the thing off me.

After a minute of noisy panic, I searched for it. I couldn’t see it on me, or on the floor. Running into the bedroom, I pulled off all my clothes and examined myself all over in the mirror, but found no dark marks. I threw my clothes into the bath and ran the cold water until they were drowned. Over the sink I combed my hair through and through and looked in my eyes and mouth for any sign of it. If I had swallowed it what was I to do?

Shivering, naked, my clothes soaked, I stood in the bathroom wondering what the hell was wrong with me. I have never been afraid of spiders or insects yet here I was becoming hysterical over a tiny patch of nothing.

Later that night I was made aware of my mistake. It was not in my drowned clothes or in my hair, but had made its escape into my bedroom when I threw my clothes onto the floor. Now it was running over the walls, mocking me. I slept on the sofa instead, waking every now and then to check whether it had followed me. Whatever it was, inside my head or outside, it was not going to be easy to get rid of it. I could move house, but I suspected that it would be as persistent as bedbugs, hitching a lift in my luggage. Whatever it was, it was mine.

The next evening I sat on the sofa reading a book and watching it out of the corner of my eye, scooting around the room, approaching closer and closer until it stopped by my feet again. Holding my breath and my nerve I waited. I was terrified — a little black dot and it took all my strength not to run away.

It hopped onto my slipper and rested there a moment, then began to climb my trouser leg. I gritted my teeth and did not react. It went out of sight for a second, then popped onto the right hand page of my book. I stared directly at it, a speck of dark awareness focussed on me, nothing but an absence of reflected light.

‘Hello,’ I said.

I held my hand out to it and it zipped across the page, coming to rest in the centre of my palm. There was nothing to feel, no tickle, no tingle of presence, but I swear it curled up a bit tighter and made itself at home there.

Sometimes other people see it on me for a fleeting second. They take it for a spider or other bug.

‘There’s nothing there,’ I say, but there is, always scooting across my skin. My companion. I am still afraid of it. One day it may burrow into my flesh and show its true purpose, but until then I must think of it as a friend. I call it Spot, and try to smile.

Recall, Remember, Forget

Recall, Remember, Forget

Bones of an unusual small animal, a battered fob watch in a fine silver case and a tattered silk handkerchief with a dark stain in one corner. Eddie hated jobs like this.

As soon as he got the text telling him to come to the front door, not the basement entrance, he knew something was wrong. He contemplated not going at all, but the money was double and this was his profession.

A nice fresh corpse meant things would go smoothly. One long gone and nothing but a few personal possessions to work with meant difficulty and danger.

Lamia had let him into the Dark House, and hovered behind him now.

“Can you do it?’ they asked

He sighed.

‘Triple my fee,’ he said. ‘Where’s the question?’

Lamia nodded as if the inflated fee was only to be expected, and handed him a sheet of grubby paper with one line of writing scrawled across it.

The thing on the top floor was screaming again. Lamia looked upwards with a concerned expression, as if a baby was crying not a — whatever it was. Eddie had seen it once, by accident, and it had almost lured him in, sweet as it seemed. Only the amulets he always wore kept him from being consumed.

‘What’s up?’ he asked.

Lamia shook the paper at him.

‘That is what you’re here to find out. I brought your things up from downstairs. If you need anything else, call me.’

Pushing the paper into his hand, Lamia left him in the dimly-lit room. Overhead, the screaming continued.

Smoothing the sheet of paper, Eddie stared at the writing. Baffled, he turned the paper through 180 degrees and tried again. No. The writing was an incomprehensible line of wobbly marks whichever way he looked at it. Eddie had some grasp of quite a few obscure and ancient scripts, but this was nothing he recognised. It hardly looked like writing at all, but more like something an illiterate person might produce if forced to ‘write’ something.

Eddie left the room and went to the bottom of the stairs. (He knew better than to climb them.)

‘Hello?’ he called, several times. At last Lamia appeared to the top of the stairs, paler even than usual. Eddie waved the paper. ‘If this is the question, I can’t read it. How can I ask an unreadable question?’

‘Show it,’ said Lamia, and turned away, running back up out of sight.

Show it. The Recalled were not generally in the mood for reading, but he was being paid triple rates, so he shrugged and went back to make his preparations.

From his box of necessaries he took a human skull complete with lower jaw hinged in place with silver wire, and arranged the possessions of the one to be recalled around it, along with other items which it would not be prudent to mention here.

After an hour’s worth of incantations and deep concentration Eddie was sweating and exhausted with the effort, but the skull began to vibrate. It started to chatter its teeth together like a wind-up toy, leapt into the air and flew across the room, bouncing off a red velvet chaise longue and onto the floor.

It appeared that this Recalled One did not wish to fit itself into someone else’s skull.

Eddie considered his options. Resistance called for a more direct approach. He thought of that triple fee. He thought of taking a holiday somewhere warm. Somewhere hot.

There was a little bottle of oil in the box of necessaries, which he he seldom used. The tools of the trade were, of course, only vehicles for the trained practitioner, but this was a particularly powerful tool.

He took the handkerchief and laid the silver watch and the collection of small animal bones on it. The tiny skull was peculiar, with huge eye sockets and many pointed teeth, all black and shiny. Eddie drew up the corners of the handkerchief and tied it all into a small bundle.

Unscrewing the top of the oil bottle, he let two drops fall onto the carpet in front of him, then, with the bundle of possessions in his left hand and the unreadable question in the other, he began a long, repetitive incantation. Concentrating on the air in front of him, the objects in his hands and the sound of his own voice, he continued the rhythmic chant on and on, never pausing, never allowing his mind to drift. At last a small spot of mist appeared, widening into a circle like a dissipating smoke ring, opening a dark hole in reality. The hole grew to about the height of a man. Eddie continued to chant until he was sure it was stable, then he began his recall.

‘Come forth by night. Here are your treasures, here is a question for you. Come forth.’

There was no response. It would have been easier if he had a name for the target, but he suspected that he was calling on one with a dangerous name, or no name at all. Again and again he demanded the presence of the owner of the handkerchief and its contents, insisting on his right to call them to answer.

The eventual response was not exactly what he expected. a violent groan carried on foul air emitted from the hole. Eddie held his nerve and continued his demands. Suddenly something long, dark and flexible reached out of the hole, grabbed him by the neck and pulled him through into the darkness.

This was a new experience, but he had to hold his concentration or everything would be lost. Eddie demanded his answer, holding out the paper with the unreadable squiggles on it. Something stumbled towards him. Its breath was cold and it stank of putrefaction. For a brief moment, Eddie questioned his choice of profession. That moment was just long enough for his attacker to take the paper away from him, and almost succeed in taking the handkerchief bundle, too. Eddie managed to keep hold of that just because he had taken care to tangle his fingers around the knot.

The Recalled One was angry. It howled and treated him to another blast of icy stinking air. Eddie could hardly breathe, but he was a professional and he held his ground, and the bundle that enabled him to control the recalling. Again he demanded an answer. What he got was a ferocious blow into middle of his chest. He lost both control and consciousness. The world was black inside and out.

His neck was twisted to the right, his cheek pressed into a fuzzy surface. A skull, someone else’s, he hoped, lay close by, mouth open wide. It took a few moments for Eddie to realise where he was. He pushed himself into a sitting position and found his fingers still entangled in the knotted handkerchief, which had a few more unpleasant stains on it now, still moist.

Up near the ceiling a dusty, half-seen, feathered creature shifted.

‘Yeah,’ he said to it, ‘not quite, not this time. My lucky day, not yours,’

It shifted again, and was gone.

The screaming from upstairs continued, but at a different pitch. Lamia entered the room, flustered and distressed.

‘I heard you yell,’ they said.

‘I yelled? That’s possible.’

Eddie pushed himself to his knees, intending to get up. Something dripped onto the floor. Oh yes, his nose was bleeding. He almost used the hanky bundle to stem the flow but stopped himself in time, disentangled his fingers and set it onto the chaise longue. Then he got up and sat next to it, found a tissue in his pocket and held it to his nose.

‘I didn’t—,’ he began, but Lamia gave a cry and swooped down to pick a ball of something off the floor. Fingering it open, Lamia spread it out on the table next to Eddie’s box and smoothed it down. It was the question.

Eddie got up to look. The paper was well-chewed, damp and sticky, but under the original line of squiggles, there was another burned into the paper, as if someone had written it with a sharp smouldering stick.

‘What does it say?’ he asked

‘I have no idea.’

Lamia grasped the paper and ran from the room and Eddie heard them dashing upstairs. After a minute or two, the screaming stopped.

With a sigh he picked up the skull and put it back in the box. Then he untied the handkerchief, laid it on the table and opened it out. The battered fob watch was ticking, and the animal skeleton was covered in flesh with scales in many shades of blue. The creature opened one large eye and looked at him. Eddie took a step backwards out of caution, but it showed no inclination to do anything but lie there on its back twitching its tiny paws.

He left the room, closing the door, and waited in the hall, holding a sodden tissue to his still dripping nose. After a while, Lamia came down, smiling (though he wished they wouldn’t). They offered him a clean linen handkerchief, and he took it, feeling that losing too much blood in this house was a bad idea.

‘It seems the answer was satisfactory,’ said Lamia.

‘Good,’ said Eddie. ‘Who was it I recalled?’

‘Best not to think about it.’

Ah, not a someone then, more of a something, that had once had need of a timepiece, or — but no, best not to think about it.

‘I’m going on holiday for a month.’

‘Thank you for letting me know. Your fee has been sent direct to your bank account.’

He nodded and stepped out of the front door. Dawn was just breaking, the eastern horizon brightening to a pale lemon which to Eddie was the most beautiful colour he had ever seen.

Up On The Roof

Up On The Roof

‘Forget about the tunnels,’ Lori said.

Gabriel rubbed his face with both hands.

‘I can’t. I can feel them under my feet all the time.’

‘That’s your imagination. For all you know, there aren’t any more than the one you went down into.’

‘There are more. I can’t prove it, but I can feel it.’

‘Then you need to feel something else. Drink up and come with me.’

The were in the Has Bean Cafe on a Saturday morning in June. At just after nine, the place was quiet, only a couple of other customers. Gabriel drank the last of his cappuccino and ate the remaining chocolate-sprinkled froth with the coffee spoon, not hurrying because he was a little afraid of whatever Lori had in mind.

‘This isn’t another of your weird friends, is it?’ he asked, scraping the bottom of the cup with his spoon, not looking at her.

‘You are one of my weird friends,’ said Lori, ‘and don’t you forget it.’

Gabriel smiled and got up, ready to follow wherever she took him.

They headed up the hill, and the Dark House loomed at the top. Gabriel became less enthusiastic — he did not want to go there again. Lori turned left at the top of the hill and they walked away from that house. For a while Gabriel felt as though it was watching him. He looked back, but saw no-one at its windows. His preoccupation meant that he did not recognise their destination until it was too late.

Lori stopped at a big old house that was divided into flats and rang the bell for number 6. After a couple of minutes the door was opened by a pale man in his early thirties. He looked pleased to see Lori, but when he noticed Gabriel a shadow passed over his face.

‘Hello Rob,’ said Gabriel, affecting a cheer he did not feel. ‘How are you?’

Rob did not reply, except for a slight shake of the head. Gabriel had been avoiding him for months. After what had happened there was a deep well of complicated feelings that Gabriel preferred to avoid looking at.

Rob held the door half open for a moment or two, but then made the decision to let them in. They followed him up to the top floor flat and into his living room. He offered them coffee. Gabriel was about to decline, but Lori accepted for both of them, and when Rob was out of the room she started to explain.

‘He’s been having some trouble he thinks is a haunting,’ she said.

‘Why did you bring me? I’m no ghost hunter.’

‘No, but the problem is on the roof, and you are an experienced rooftopper.’

‘So is Rob.’

‘Not any more,’ said Rob, bringing in two mugs of what was clearly instant coffee. ‘Not since…you know.’

Not since Frida’s accident, he meant. Gabriel tried no to think too much about that. There were no photos of her in the flat, but he supposed it might be too painful for Rob to look at images of her when she was full of life and the spirit of adventure.

‘So what’s on you roof?’ Gabriel asked, hoping to head off any awkward moments.

‘The landlord says it’s just pigeons,’ said Rob, glancing out of the window, ‘but it isn’t. I don’t know what it is, but it’s driving me crazy. Help me get rid of it.’

The flat was built into what had been the attic servant’s quarters in the building’s past, and it was directly under the roof with sloping ceilings and small dormer windows.

‘Well,’ said Lori, ‘now we just wait until something happens.’

‘And then I go out to take a look, I suppose.’

Gabriel took a sip of his coffee, grimaced, and walked over to the window to see what the roof was like.

‘There’s a skylight in the bedroom you can use to get out there,’ said Rob. ‘I’ll get the stepladder set up.’

When Rob was out of the room again, Gabriel said, ‘Shouldn’t we be here at midnight or something?’

‘No,” said Lori. ‘This is a daytime manifestation.’

‘It probably is just pigeons, or his imagination. You know what happened to his girlfriend?’

Lori nodded.

‘If it is bird, we can set his mind at rest, don’t you think?’

Gabriel agreed, thinking that the least he could do was to humour everyone. When Rob had the ladder set up, Gabriel climbed it, opened the skylight and assessed the roof for climbing possibilities. He had clambered across worse in the dead of night, so he had no worries. the rest was just waiting. They drank their unpleasant instant coffee, Gabriel suspecting that it was the cheapest off-brand stuff, and made limping attempts at conversation, always avoiding the only things Rob and Gabriel had in common — urban exploration and Frida.

There came a point when the fourth invisible presence in the room became too much for Gabriel and he suddenly rose to his feet and began to pace up and down the small living room. the others stared at him.

‘Too much caffeine,’ he said, shaking his arms and flexing his fingers. Then he sat down again, trying to be still and to feel a little sympathy for this man he now realised he did not like at all.

Why? Rob took Frida away from the Urbex community. They did their own things as a couple, which was theoretically okay, but Gabriel thought that Frida lost some of her sparkle, and she would not even stop for a chat in the street, let alone meet up with her old friends. When he came back to the moment, Gabriel realised that Lori, with her usual fearlessness, was broaching the very topic he had been trying so hard to avoid.

‘I was so sorry about your girlfriend’s accident,’ she said. ‘That must have been hard to bear.’

Rob looked away.

‘Thank you,’ he said, with a little choke in his voice. ‘It was terrible. I had no idea she’d gone out on her own like that’

He looked at Lori mournfully, moisture glistening in his eyes, then he noticed Gabriel watching and his expression turned to irritation. Lori was about to say something more when there was a scrabbling sound above them, outside on the roof. They all looked up, as if they would be able to see through the ceiling.

‘That’s it,’ said Rob.

Something was moving over the roof, pausing here and there to scratch at the tiles. It was nothing like any bird noise Gabriel had ever heard. He got up and went to the bedroom, with Lori following.

‘Be careful,’ she said.

He eased himself out of the window and took a good look around the roof. At first he saw nothing, but then he noticed a dark shadow by the chimney pots.

‘Looks like a bird,’ he called down to Lori. ‘A really big bird. I’ll see if I can get a better look.’

He pulled himself up onto the ridge of the roof and began to move towards the chimneys. The bird did not retreat or fly away, but began to approach him. No — not a bird. What was it? He struggled to make out a proper shape to the thing. Gabriel tried to focus but it was impossible — and then it was on him.

‘Stupid bitch,’ it said, ‘stop whining.’

There was a hand on his face, pushing him. He thought it was a hand. Grabbing at the ridge tiles he tried to hang on, but the force was too strong, and filled with malice. Losing his hold, Gabriel slid down the roof and over the edge, falling through empty air, a long time falling, with someone else’s memories flowing through his mind, ending with a dreadful crack. Then nothing.

He opened his eyes.

He was still clinging to the ridge tiles. Lori was calling to him, ‘Are you all right?’ There was nothing on the roof with him now. It took a minute to begin to understand what had happened, and before he could safely move.

Lori was halfway out of the skylight.

‘Don’t come out,’ he said. ‘I’m okay.’

He was not okay, but he managed a tight smile, and started to make his way back down to the skylight, every muscle in his body trembling. Not until his feet touched the bedroom carpet did he feel any relief.

‘What was it?’ asked Rob, but took a step back when Gabriel turned to answer him.

Gabriel’s fury filled the room.

‘I think you know,’ he said.

Gabriel took a few steps towards Rob and put his hand on the man’s face, pushing.

‘Stupid bitch,’ he said. ‘Stop whining.’

He gave Rob a violent shove that sent him falling backwards onto the floor.

‘You were up there with her that day, weren’t you?’ said Gabriel, trembling with rage now.

Rob shook his head and held his hands up protectively.

‘We’d better leave,’ said Lori, and Gabriel did not argue in the face of his strong desire to beat Rob senseless.

‘It was an accident,’ said Rob, in a pleading tone. ‘I never meant to —‘

He was cut off by the slamming front door.

Later, when Gabriel had calmed down enough to explain what had happened to him, Lori asked ‘What shall we do?’

‘Nothing,’ he said. ‘We’ll leave it to Frida.’