Beth was afraid of shop window dummies. Their fixed distant gaze, their frozen attitudes their almost-but-not-quite humanness, all these made her shudder. What she hated most was the shock on releasing that what she thought was a person, was not.
This only became a real problem when she opened her own dress shop.
It was a tiny shop, just off the High Street, and everything in it was her own work, from original designs to reworked vintage pieces. She needed a window display. Starting with a couple of pieces on hangers suspended from the ceiling was okay, but looked amateurish. Then a friend told her about a sculptor working in basketry.
Ella was a magician with wickerwork, and she made a beautiful, tightly-woven, figure of a woman for Beth. The mannequin stood a little taller than Beth, in a graceful pose with its arms by its sides as if they were just about to be raised to the world. The wickerwork was smooth enough not to snag on clothing, and the arms were detachable for easy dressing. Importantly, the face had no features. it was a perfect womanly form without being too human.
Beth was very happy, and quite comfortable with this solution. She dressed the figure in a red dress and black velvet coat. They both sold very quickly, and people kept on coming in. Everything was going better than she had hoped.
There were times when no customers were in the shop, and Beth would go back into the little sewing room to work on new pieces. She would hear the occasional creaking sound from the shop, but when she looked out nothing was amiss.
One day, changing the clothes on the mannequin, she noticed that one arm did not fit back into its place quite as it should. It had raised a little, as if reaching for something. Just the basketwork drying in the sun, Beth supposed. She finished dressing the window and went back towards the sewing room. a loud creak sounded behind her. Turning around, she saw that the mannequin’s arm had raised a bit more. The early morning sun must be warming it, she reasoned, hoping that it would not warp too much, thinking about phoning Ella to ask for advice.
Beth forgot all about it during her busy day of selling and making, pleased by the success of her venture. At the end of the day, she was reaching for the door on her way out when there was another creak from the mannequin, and she thought its head had moved, just a little, to look in her direction.
‘It doesn’t have eyes. It can’t look,’ she told herself. ‘It’s just cooling down now the sun isn’t shining on it any more.’
She got out of the place as fast as possible, though.
In the morning as she came in, she could not help looking over at the mannequin and saw at once that its head had turned far enough to appear to be looking directly at her. She shut the door and moved quickly to the back of the shop, to turn on the lights.
Her heart was pounding, but she calmed down quickly. The wicker was drying, that was all, or the shop was too humid. Some change in the atmosphere had caused the warp and weft of the woven structure to twist.
Beth went back to the shop door, changed the sign to ‘Open’ and looked directly at the mannequin. Nothing to be afraid of.
Later on she phoned Ella to describe what had happened and to ask if there was anything she should do. Ella laughed.
‘It’s no problem,’ she said. ‘I like to weave a little life into my sculptures, that’s all.’
Afterwards, Beth wondered exactly what Ella meant — and that odd laugh — but set it aside and got on with her work.
Clearing up in the sewing room at the end of the day, she thought she heard something in the shop, but paid no attention. Then she heard it again, a noise like something dry being dragged across the floor.
Picking up a large pair of scissors, trembling, she edged into the shop.
The mannequin was no longer in the window, but stood in the middle of the floor, between Beth and the door. She sucked in a quick panic breath and held it, frozen, looking at the thing. It reached out towards her with both arms. She let the breath out in a ragged scream and ran forwards, stabbing at the mannequin over and over. It fell, crumpled and crumbling, at her feet and she took hold of it, dragging it to the tiny back yard space where the bins were kept, pausing only to grab some matches she used for testing fabrics.
Dropping the broken mannequin on the concrete, Beth struck match after match, letting them fall onto the dry basketwork figure. It did not take long to catch fire. She watched it crackle and burn, its head twisting in simulated agony, flames giving the face a mouth and eyes at last, the arms reaching out, trying to touch her.
Beth stood until nothing remained but a drift of smouldering ashes. Amazing how fire could make something seem alive, she thought, but it was only movement caused by combustion, wasn’t it?
A piece of singed fabric fluttered in the hot air, and she briefly regretted the fate of the dress the mannequin wore. Then she turned away, went inside, shut the door and carefully forgot that the thing had ever existed.